Archives for the month of: July, 2012

Collide@CERN and Gilles Jobin, artist in residency at CERN,
present
an exclusive open rehearsal of his last piece

SPIDER GALAXIES

Tuesday 31 July 2012

– A new piece created to open new territories of the mind –

Join us in Restaurant 1 from 4 p.m.
(next to the Glass Box Restaurant)

With this piece, the body turns into matter, which is complete, spatial and sensual.
Come and see Gilles Jobin and his dancers.

With a score by Cristian Vogel and Carla Scaletti invoking sound particles, while Daniel Demont disperses the spectrum. Protean, infinitely large or infinitesimal, such are the Spider Galaxies.

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You can see Gilles Jobin’s pieces on the Vimeo channels of the Gilles Jobin’s company: full length pieces and Exerpts.

Check it out!

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On Carla Scaletti/Symbolic sound website, you can hear the sound of the Higgs. As it was created for my piece Spider Galaxies. It is rather beautiful… Check it out!

In Praise of Inference is a 60″ Kyma-generated sound bite celebrating the subtle and sophisticated thought process that goes into inferring the existence of a short-lived particle based only on the traces it leaves behind. Every sound you hear in the example is controlled or ‘modulated’ by data generated by computer models of the proton collisions expected to produce Higgs bosons in the Large Hadron Collider (LHC) at CERN.

The sound bite works its way backwards in time, starting with the evidence and then gradually inferring the probable cause. At the beginning you hear two distributions, one on the left and one on the right, each with 500 gamma energy values (each gamma distribution is mapped to a 500-partial filterbank); over time, each gamma distribution morphs to a distribution of Higgs masses, all 500 center frequencies converging on the single high energy/mass value mapped to the high pitch at the end. In the middle, the (static) dR and pTt distributions (also represented by 500-partial spectra controlling filterbanks) fade in and out. Over this backdrop you hear some of the explosive and shivery mappings of jet data (see below).

At the very very end, you may hear a hint of an inference of the voice of the Higgs…

Please play it as loud as your speakers can handle (it sounds best with a subwoofer if you have one). The original is in surround sound but a stereo version was easier to post.

Where did this come from?
Experimental and theoretical particle physicists Lily Asquith and Michael Krämer, in addition to their regular research and teaching duties, have been collaborating with musicians this year on a special project to take the data from some of the quadrillions of proton collisions going on in the Large Hadron Collider at CERN and mapping those data sets to sound. Not only are the researchers hoping to hear patterns in the data; they also want to share their passion for exploration and discovery with creative individuals outside of physics.

The project got started last year, when Asquith and composer Richard Dobson created the LHC Sound project, posting sounds and simulated data on the web and inviting musicians to sample the sounds and map the data. Asquith called one of the sets the Jet Game, the object of which was to be able to identify (using only your ears) which of the jets contained evidence of the Higgs boson. Carla Scaletti decided to map several of the jets to sound using Kyma, and the results ended up in the musical score she and Cristian Vogel composed for choreographer Gilles Jobin‘s Spider Galaxies.

At the beginning of this year, Asquith teamed up with Krämer and Scaletti to explore even more ways of mapping data to sound. So far, all the sounds have been generated using simulated data (the real data are top secret), but the trio look forward to having a listen to actual LHC data soon.

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Only a few days after the Higgs Boson @ CERN , I was on my way to Senegal to teach at the Ecole des Sables from the fabulous Germaine Acogny. She is an enormous figure of dance in Africa! Maman Germaine is indeed the mother of contemporary dance in Africa.

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Gilles Jobin and GermainE Acogny

What a change… Such a different reality made of the same fundamental particles of matter… In Senegal as in most of Africa, the situation is generally difficult. Every level of life seems to be complicated to handle. The sea is full of plastic débris, fish is running scarce due to industrial fisheries up the coasts, education and health are massive issues to solve… Hope there is, energy there is but it seems that the countries are drown into an unbreakable circle of precariousness and political instability… After much turmoil and presidential election  the minister of culture of Senegal is now the great singer and musician Youssou N’Dour. He is such an idol to admire! There is hope that he will understand the needs of supporting Ecole des Sables as the ground for memory of the traditional dances of Africa and the move toward modernity in the arts. I had the chance to be there on his visit to the school and took many photos! I took photos of Peter Higgs and Youssou N’Dour in one week! Two massive symbolic figures of science and art. Very different issues, but one same goal: The understanding of humanity through art and science.

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Youssou N’Dour, great musician and minister of Culture of Senegal

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Dancing on the head for Youssou!

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He is so popular

I guess in Senegal the priority is not particle physics or what matter is made of, but knowledge and its preservation. Cern scientists share with African artists and pedagogues the need to search and develop  knowledge. Our world is so diverse, one should never forget that at every scale, he/she is responsible for making this world more peaceful and respectful of the human conditions and and all living thingd. That is through ecology, respect and peace. I am very privileged to meet great artists and great scientists in such diverse environements.

Ecole des Sables is a unique centre for traditional African and contemporary dance is located near Dakar, on the sea side in the small village of Toubab Dialaw. It is host of two of some of the most beautiful dance studios in the world. The “Henriette”, with hard floor open to the bush and the sand studio for traditional dance. Germaine’s project is a fantastic endeavour to diffuse, project and protect traditional dance but also to open to new urban dances and contemporary dance. Maman Germaine,  everybody loves her as much as Papa Helmut her husband!

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I was teaching in the context of a workshop-creation project initiated by Helge Letonja and his company Steptext Dance Poject. First an international workshop with European dancers and African dancers from Togo, Burkina Faso, Senegal, Germany, Spain, Italy, Australia … After two weeks workshop, they continue with the creation of a piece with 5 European dancers and 5 selected African dancers. The première will take place in Bremen, home base of Steptext’s company in september. The program will be made of one piece of Helge Letonja and one piece of Kenyan choreographer Opiyo Okach. I wish them good luck and willmeet them again in Brement to witness the première!

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working on my “movement generators”

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My mini assistant Mateo

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The children help drawing dances for the movement generators

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Dancing in style!

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We were invited to a Sabar, traditional dance for the wedding of two local dancers. There was some next level dancing there! Some of the best were èreparing for nect day wedding!

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http://www.guardian.co.uk/stage/2012/jul/16/cern-dance-strangels-sciart?INTCMP=SRCH

An article about Strangels in The Guardian online! Check it out!!!!

 

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